Commentary Track for the Buy Pile, February 11, 2010

Another week, another set of reviews from "the critic comics fans love to hate" (according to Timelord, posting anonymously about me on a message board I've never heard of -- thanks Google Alerts). To be honest, if I knew I could cheese off this many people by getting paid and doing something I love, I'd have started years before I actually did (and now it's been ... spirit, almost seven years of the Buy Pile come next month).

In any case, this week ...

* Yes, I'll be glad when "Blackest Night"/"Brightest Day"/"Mauvest Afternoon" are all over because it'll let nice, weird books like Secret Six and R.E.B.E.L.S. get back to the depraved, sick things they do best. I'm not quite to the point where a Deadshot/Vril Dox team up book would get me to buy it sight unseen, but I'm not far from it either. Some of the best characterization around some of the worst people you'd ever wanna avoid on a dark street. In my meanest dreams, I want Amadeus Cho to grow up and be like Vril Dox (but more on young mister Cho in a bit).

I should really note that the cover for Phonogram: The Singles Club #7 shown in this week's reviews is not what was available at retail, and that the cover I bought is so, so much better. The same was true of issue #6 ... lemme see if I can find what I bought ... here we go. Shame I didn't find that last night while I was working on the reviews. Que sera sera.

There are so many stories I could write in the Phonogram universe. I have a third of an idea about a story about an American phonomancer (who's very, very different from anything David Kohl would have ever seen) that could set the world on fire, and Kohl would be forced to deal with him (and that's not always what you think). Maybe that's too superheroish. Anyway, it rattles around in my head every time I see Jamie McKelvie's perfect artwork (I would literally sacrifice puppies to Cthulhu to get him to work with me on a project) and see the all-too-clever riffs of Kieron Gillen's scripts.

What else? Hm ... I'm watching Human Target on TV and loving Mark Valley's deadpan take on, well, everything. If the comic could capture that and match the content density at a decent price point, they'd have something. Queen and Country used to feel like that, but smarter, less popcorn.

Here's a short story about Nate Grey: no.

Colt Noble and the Megalords was a web comic? Overpriced but funny, I could see signing on for an ongoing at a lower price point.

Explanation of "TV good" re: "Ultimate Comics Armor Wars." It was good enough to watch on TV ... for free. Paying money for it? Maybe not.

Coincidentally, I'm super excited about The Prince of Power featuring Amadeus Cho. An Asian male lead with no kung fu, just brains. I love it.

See you in the funny papers, kids, gotta run.

Playing (Music): "Can't Fight This Feeling Anymore" from the first volume of the Glee soundtrack