Commentary Track for the Buy Pile, February 4th, 2009
Let's do this week's second look at my reviews quickly, in that I haven't had lunch and I also need to drop the kids off at the pool. TMI? Sorry, I'm sleepy, filters may be clogged with confusion ...
Anyhoo, I love Dingo. I love, love, love this story. Ever since I read the whole thing as prose (which I recommend) and I can't believe how effective the adaptation is, even while it cuts corners in presenting the stuff. The novel's writer Michael Alan Nelson's doing the comic and he's doing good stuff. Very happy with that.
A guy on Twitter once promised me he'd break down how badly The Great Ten mangles what being in China is actually like ... but I've never seen it. The book reads well and I've enjoyed literally every page of it, and the structure Tony Bedard has laid out is simply flawless.
I will say -- and I do this with great trepidation as not only do I vastly like and admire Dwayne McDuffie, he's also considerably larger than I am -- that I wanted more from Milestone Forever. There's two scenes of just people standing and looking with name captions nearby. That made me a little sad. What happened with Holocaust makes zero sense to me, based on some displays of power I've seen him run. Unless Wise Son has a Lucas Bishop thing going on, I just don't get it, and even then, there's the Flash Rule of Protection from Your Own Powers to consider ... ah, I've said too much. Still, I'd pay six bucks to spend time in Dakota that way, even with those disappointments, and that's a sad statement of how emotionally invested I got with those characters.
Now for some events comics stuff. HOW MESSED UP WAS THAT PAGE WITH THE SENTRY? Siege #2 was wild, as spectacle if not as story. However, I believe Norman Osborn's not too well versed in myth, because gods rarely really die, and their nature is cyclical. So the idea that he can just take on some of the things he has afoot ... it's masochism at a scary level. It was nice to see Bob step up, finally, and not whine his way through something. Ever since that run in with the Molecule Man in Dark Avengers, he's been slowly getting more impressive.
I feel I do a disservice to books like Jonah Hex and Scalped because I am just not the right reader for the material. I can recognize that those were two of the best comics printed this week, based on scientific applications of craft and what not, but I just didn't like them. Like a beautiful person you're not attracted to, there's no accounting for taste. To an extent I feel this way about Criminal (and it's not even due to finding out that Ed Brubaker had a message board beef with me some years ago that only Google Alerts revealed to me -- which is ironic if you read another recent blog of mine, but I digress), but sometimes that noir'll do it for me if it really pushes the envelope.
Nova ... you were doing so well. Your own take on the GL Corps, your new recruit mechanism, it was cute. What's with the time travel? Dude! Dude!
That'll do, y'all. That'll do.
Playing (Music): "Never Get Enough" by Raul Midon
Anyhoo, I love Dingo. I love, love, love this story. Ever since I read the whole thing as prose (which I recommend) and I can't believe how effective the adaptation is, even while it cuts corners in presenting the stuff. The novel's writer Michael Alan Nelson's doing the comic and he's doing good stuff. Very happy with that.
A guy on Twitter once promised me he'd break down how badly The Great Ten mangles what being in China is actually like ... but I've never seen it. The book reads well and I've enjoyed literally every page of it, and the structure Tony Bedard has laid out is simply flawless.
I will say -- and I do this with great trepidation as not only do I vastly like and admire Dwayne McDuffie, he's also considerably larger than I am -- that I wanted more from Milestone Forever. There's two scenes of just people standing and looking with name captions nearby. That made me a little sad. What happened with Holocaust makes zero sense to me, based on some displays of power I've seen him run. Unless Wise Son has a Lucas Bishop thing going on, I just don't get it, and even then, there's the Flash Rule of Protection from Your Own Powers to consider ... ah, I've said too much. Still, I'd pay six bucks to spend time in Dakota that way, even with those disappointments, and that's a sad statement of how emotionally invested I got with those characters.
Now for some events comics stuff. HOW MESSED UP WAS THAT PAGE WITH THE SENTRY? Siege #2 was wild, as spectacle if not as story. However, I believe Norman Osborn's not too well versed in myth, because gods rarely really die, and their nature is cyclical. So the idea that he can just take on some of the things he has afoot ... it's masochism at a scary level. It was nice to see Bob step up, finally, and not whine his way through something. Ever since that run in with the Molecule Man in Dark Avengers, he's been slowly getting more impressive.
I feel I do a disservice to books like Jonah Hex and Scalped because I am just not the right reader for the material. I can recognize that those were two of the best comics printed this week, based on scientific applications of craft and what not, but I just didn't like them. Like a beautiful person you're not attracted to, there's no accounting for taste. To an extent I feel this way about Criminal (and it's not even due to finding out that Ed Brubaker had a message board beef with me some years ago that only Google Alerts revealed to me -- which is ironic if you read another recent blog of mine, but I digress), but sometimes that noir'll do it for me if it really pushes the envelope.
Nova ... you were doing so well. Your own take on the GL Corps, your new recruit mechanism, it was cute. What's with the time travel? Dude! Dude!
That'll do, y'all. That'll do.
Playing (Music): "Never Get Enough" by Raul Midon
Labels: buy pile, comics, comics reviews
posted by Hannibal Tabu, The Operative at
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